Hidden Treasures: 1995’s ‘Seeing The Unseen’ DVD

Hidden Treasures: 1995’s ‘Seeing The Unseen’ DVD

The History of Using Clear-Depth Gazing for After-Death Communication

In Western cultures, death often means the loss of a loved one–never to speak to them again. But what if death just requires a different form of communication? For thousands of years, people all over the world have communicated with the dead using various forms of scrying, also known as clear-depth gazing.

Intellectuals like John Dee, Nostradamus, Plato, and even entire civilizations such as the Aztecs, Greeks, Egyptians, Persians, and many others, used clear-depth gazing with reflective cups, pools of water, cauldrons, and mirrors so that the bereaved could continue their connection with the dead. Clear-depth gazing has been, and continues to be, a way of seeing visions of things past and moments in the future. Used by cultures primitive and advanced, scrying is seeing a resurgence in practice to “See the unseen.”

Photo of the Oracle of the Dead by Greece High Definition

Enter award-winning author Dr. Raymond Moody, the leading authority on the near-death experience. After traveling to the Greek psychomanteum known as the Oracle of the Dead in Ephyra, Greece, he built his own psychomanteum to continue studying the effects of using this technique to experience contact with departed loved ones.

What he discovered will forever change how we process death. He delved into this topic in his book Reunions: Visionary Encounters with Departed Loved Ones. His interest in this fascinating field continues and we hope to have more to share in the future.

Click on the photo below is the trailer from the DVD ‘Seeing the Unseen‘, available for digital rental or digital purchase through Amazon Prime, Gaia.com, or collectible DVD.


One comment

  1. Deborah

    Hi Lisa, I like what you had to share in Language Changes As We Approach The Threshold. A shout-out of congratulations to you, Dr Moody, on your new book. Love and best wishes to you both.
    Deborah M

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